How To Submit a Podcast To iTunes

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Submitting your podcast to the iTunes store is easy once you have created your podcast-ready RSS feed.

The video above will show you how this is done and the step-by-step directions are below.

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TPS093: Get a Mix-minus into a Smartphone and overview of the Mackie 402VLZ4

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How do you get audio from your phone (iPhone, Android, etc.) into your mixer? The simple answer is you plug it in. You can use a basic stereo cable (I prefer this “Y” cable*), plug one end into your phone’s headphone output Mackie402VLZ4and place the other end into an available channel on your mixer and now you can take audio from the phone into your recordings.  But what if you want to also send all the audio from the mixer (your mic, your co-host, sound FX, etc.) back to the person on the phone without them hearing themselves? That’s called a mix-minus and you can use a couple different devices to achieve this setup.  [Read more…]

Mackie 402VLZ4 Mixer

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The Mackie 402VLZ ultra-compact mixer* is an excellent audio mixer for first time podcasters. “Built like a tank” the 402 is encased in steel with quality feeling knobs, sealed to prevent dust from invading the insides of the mixer. The first thing you’ll notice when you pull this mixer from the box is how well it’s built and its small size. This thing feels like a road warrior, built to be taken with you when necessary.

 

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TPS092: Social Sponsorships and the Behringer Q802USB Mixer

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What’s the value of a new podcast subscriber? Would you trade 20, 50, 100 dollars an episode for a new subscriber? Two new subscribers?

Social-Sponsorship-graphicA podcast sponsorship can be a hard deal to negotiate and for many smaller shows it’s not likely worth the tradeoff; having to put ads in your content for a small monetary return. But what if the exchange was not money but instead something likely more important to a podcast… new listeners.

Word of mouth is still the best form of marketing for any podcast. Trading ad space on your show for an introduction to a targeted, relevant, interested group of potential new subscribers may have bigger returns and is almost certainly a much easier form of sponsorship to obtain.

Social sponsorship is sponsorship deal for the rest of us. The average podcaster does not carry the number of subscribers that most ad buyers would want to see for CPM based deals. Yes you can cultivate a one on one sponsorship with someone who has a relevant business but when it comes to asking for money it’s often a much harder sale. [Read more…]

TPS091: Gain Staging Any Mixer

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Setting up a mixer can be a difficult task. Even on the smallest mixers there are numerous buttons and knobs that all affect the audio you put into it. Knowing exactly which knobs to turn and when can be confusing at best and can wreck your audio at worst. In this episode I talk about how to gain stage (setup your microphone for proper audio levels) any mixer you might use as a podcaster.

Because beginning podcasters often start with a very limited budget, we tend to purchase mixers that don’t feature all the tools that some higher end mixers have such as PFL/Solo buttons for easier gain staging of your microphones. But even the cheapest mixers have the minimum controls to setup your levels properly. I talk about how to use both a channel’s peak light and/or the main mix meters to get your mixer operating a level that the manufacture intended it to be used at.


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How to Setup Any Mixer – Gain Staging without PFL or Solo Buttons

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For many podcasters, mixers do not include Pre Fader Listen (PFL) or Solo buttons which are commonly used on more expensive mixers for properly setting audio levels.

 

Gain staging is the process of setting proper audio levels through your entire audio chain. On a mixer this starts with the gain knob (located at the top of each channel strip) which controls the sensitivity of your microphone or input and finishes at the output, your main mix. [Read more…]

TPS090: Replacing Media Files and Behringer Xenyx UFX1204 Mixer Review

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Of the many benefits of having a great podcast media host, having the ability to seamlessly replace a file is a nice option. With both Libsyn and Blubrry (use code: PodcastHelper for a free month at both), you have the ability to UFX1204insert a new file in place of an already published one. This allows you to easily fix errors after the fact without affecting your stats or remove time sensitive content once it expires. These are just two ways that replacing a file can help you in your podcast productions.

On this episode I speak to Krystal from Libsyn about how this process is performed inside a Libsyn account and the various options you have when performing a file replacement.

I also do a review of the Behringer Xenyx UFX1204 mixer.* [Read more…]

TPS088: Compression for Podcasts with Randy Coppinger

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Ever wonder when, how or why to use compression when post-processing your podcast? If the answer is yes then this is your episode. Randy Coppinger, professional audio engineer, talks with me about using compression for your spoken word podcast and just as importantly, when not to.compressor

We talk about what compression can do for your audio, how it can damage it and all the factors that go into the results you’ll get from a compressor including your microphone.

After that we dive into how you might want to set up a compressor or at least where to start. If you feel lost when you look at a compressor, don’t worry, we all were at some point.

The key element is practice. You just need to start turning the knobs. This episode will help you understand what to listen for when using compression and how to improve your post processing techniques for your podcast.

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Aspen Mics HQ-S Stereo Lavalier Microphone

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Aspen Mics* has a new series of lavalier microphones called HQ (High Quality). I first saw these mics tweeted out by @cheesycam who often reviews lower priced gear for DSLR video shooters. For a mic called HQ, these mics had an interesting price point around $50 but what made that attractive was their quality. Upon first listen, the mics seem to produce nice clean audio without having to run your recorders preamp at full gain.

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